diff options
Diffstat (limited to 'DOCS/xml/ru/encoding-guide.xml')
| -rw-r--r-- | DOCS/xml/ru/encoding-guide.xml | 38 |
1 files changed, 19 insertions, 19 deletions
diff --git a/DOCS/xml/ru/encoding-guide.xml b/DOCS/xml/ru/encoding-guide.xml index 8a91ff4dc6..61a022d748 100644 --- a/DOCS/xml/ru/encoding-guide.xml +++ b/DOCS/xml/ru/encoding-guide.xml @@ -1,11 +1,11 @@ <?xml version="1.0" encoding="utf-8"?> -<!-- synced with r21599 --> +<!-- synced with r21612 --> <!-- **Partially** translated --> <chapter id="encoding-guide"> <title>Кодирование с <application>MEncoder</application></title> <sect1 id="menc-feat-dvd-mpeg4"> -<title>Создание высококачественного MPEG-4 ("DivX") рипа из DVD фильма</title> +<title>Создание высококачественного MPEG-4 ("DivX") рипа из DVD фильма</title> <para> Одним часто задаваемым вопросом является "Как мне сделать рип самого высокого @@ -2057,7 +2057,7 @@ soon as the movie begins to play: demux_mpg: 24000/1001 fps progressive NTSC content detected, switching framerate. </screen> From this point forward, demux_mpg should never say it finds -"30000/1001 fps NTSC content." +"30000/1001 fps NTSC content." </para> <para> @@ -2080,7 +2080,7 @@ occurred. <para> Sometimes progressive video on DVDs is referred to as -"soft-telecine" because it is intended to +"soft-telecine" because it is intended to be telecined by the DVD player. </para> </sect3> @@ -2101,7 +2101,7 @@ framerate changes when it plays telecined video. <para> Watching a telecined video, you will see interlacing artifacts that -seem to "blink": they repeatedly appear and disappear. +seem to "blink": they repeatedly appear and disappear. You can look closely at this by <orderedlist> <listitem><screen>mplayer dvd://1</screen></listitem> @@ -2125,7 +2125,7 @@ You can look closely at this by <para> Sometimes telecined video on DVDs is referred to as -"hard-telecine". Since hard-telecine is already 60000/1001 fields +"hard-telecine". Since hard-telecine is already 60000/1001 fields per second, the DVD player plays the video without any manipulation. </para> @@ -2150,7 +2150,7 @@ a slow connection. <para> Interlaced video was originally filmed at 60000/1001 fields per second, and stored on the DVD as 30000/1001 frames per second. The interlacing effect -(often called "combing") is a result of combining pairs of +(often called "combing") is a result of combining pairs of fields into frames. Each field is supposed to be 1/(60000/1001) seconds apart, and when they are displayed simultaneously the difference is apparent. </para> @@ -2171,19 +2171,19 @@ When you view an interlaced video closely by frame-stepping with the <title>Mixed progressive and telecine</title> <para> -All of a "mixed progressive and telecine" video was originally +All of a "mixed progressive and telecine" video was originally 24000/1001 frames per second, but some parts of it ended up being telecined. </para> <para> When <application>MPlayer</application> plays this category, it will -(often repeatedly) switch back and forth between "30000/1001 fps NTSC" -and "24000/1001 fps progressive NTSC". Watch the bottom of +(often repeatedly) switch back and forth between "30000/1001 fps NTSC" +and "24000/1001 fps progressive NTSC". Watch the bottom of <application>MPlayer</application>'s output to see these messages. </para> <para> -You should check the "30000/1001 fps NTSC" sections to make sure +You should check the "30000/1001 fps NTSC" sections to make sure they are actually telecine, and not just interlaced. </para> </sect3> @@ -2193,12 +2193,12 @@ they are actually telecine, and not just interlaced. <title>Mixed progressive and interlaced</title> <para> -In "mixed progressive and interlaced" content, progressive +In "mixed progressive and interlaced" content, progressive and interlaced video have been spliced together. </para> <para> -This category looks just like "mixed progressive and telecine", +This category looks just like "mixed progressive and telecine", until you examine the 30000/1001 fps sections and see that they do not have the telecine pattern. </para> @@ -2263,7 +2263,7 @@ progressive and telecine</link> section. For most practical cases it is not possible to retrieve a complete progressive video from interlaced content. The only way to do so without losing half of the vertical resolution is to double the -framerate and try to "guess" what ought to make up the +framerate and try to "guess" what ought to make up the corresponding lines for each field (this has drawbacks - see method 3). </para> @@ -2285,7 +2285,7 @@ corresponding lines for each field (this has drawbacks - see method 3). these filters available to choose from, each with its own advantages and disadvantages. Consult <option>mplayer -pphelp</option> and <option>mplayer -vf help</option> to see what is available - (grep for "deint"), read Michael's Niedermayer + (grep for "deint"), read Michael's Niedermayer <ulink url="http://guru.multimedia.cx/deinterlacing-filters/">Deinterlacing filters comparison</ulink>, and search the <ulink url="http://www.mplayerhq.hu/design7/mailing_lists.html"> @@ -2365,7 +2365,7 @@ will be 24000/1001 frames per second. else <application>MEncoder</application> will crash. <option>pullup</option> is, however, the cleanest and most accurate method available for encoding both telecine and - "mixed progressive and telecine". + "mixed progressive and telecine". <screen> mencoder dvd://1 -oac copy -vf pullup,softskip \ -ovc lavc -ofps 24000/1001<!-- @@ -2425,7 +2425,7 @@ duration/location of each type. second video, they will be telecined along with the progressive frames. Half of the interlaced "frames" will be displayed for three fields' duration (3/(60000/1001) seconds), resulting in a flicking - "jump back in time" effect that looks quite bad. If you + "jump back in time" effect that looks quite bad. If you even attempt this, you <emphasis role="bold">must</emphasis> use a deinterlacing filter like <option>lb</option> or <option>l5</option>. @@ -2470,7 +2470,7 @@ duration/location of each type. <title>About cropping:</title> <para> Video data on DVDs are stored in a format called YUV 4:2:0. In YUV - video, luma ("brightness") and chroma ("color") + video, luma ("brightness") and chroma ("color") are stored separately. Because the human eye is somewhat less sensitive to color than it is to brightness, in a YUV 4:2:0 picture there is only one chroma pixel for every four luma pixels. In a @@ -2949,7 +2949,7 @@ A typical usage of this feature is to set the matrices preferred by the </para> <para> -The <emphasis role="bold">KVCD "Notch" Quantization Matrix:</emphasis> +The <emphasis role="bold">KVCD "Notch" Quantization Matrix:</emphasis> </para> <para> |