diff options
author | iive <iive@b3059339-0415-0410-9bf9-f77b7e298cf2> | 2004-09-27 21:04:42 +0000 |
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committer | iive <iive@b3059339-0415-0410-9bf9-f77b7e298cf2> | 2004-09-27 21:04:42 +0000 |
commit | ab6b2a7c5deb6a05d78c56c23b5bf468db0c6a74 (patch) | |
tree | da36abc2d522e9973921f5583a9290da3558a37d /DOCS | |
parent | 189a46b6a542a931ec58cb8690e485305c03a54b (diff) |
better default parameter,added counterpart option, better names for few options, 3-pass support and improved documentation.
patch by Loren Merritt
git-svn-id: svn://svn.mplayerhq.hu/mplayer/trunk@13497 b3059339-0415-0410-9bf9-f77b7e298cf2
Diffstat (limited to 'DOCS')
-rw-r--r-- | DOCS/man/en/mplayer.1 | 78 |
1 files changed, 39 insertions, 39 deletions
diff --git a/DOCS/man/en/mplayer.1 b/DOCS/man/en/mplayer.1 index 13036dd110..caf316d0ba 100644 --- a/DOCS/man/en/mplayer.1 +++ b/DOCS/man/en/mplayer.1 @@ -6770,20 +6770,13 @@ Sets the bitrate to be used in kbits/\:second (default: off). This is required if you want a CBR (constant bitrate) encode. . .TP -.B iframe=<value> +.B keyint=<value> Sets maximum interval between I frames. Larger values save bits, thus improve quality, at the cost of seeking -precision (default: 60). +precision (default: 250). . .TP -.B frameref=<1\-15> -Number of previous frames used as predictors in a P frame (default: 1). -This is effective in Anime, but seems to make little difference in -live-action source material. -Some decoders are unable to deal with large frameref values. -. -.TP -.B idrframe=<value> +.B idrint=<value> Each <value> I-Frames are IDR-Frames (default: 2). In H.264, I-Frames do not necessarily bound a closed GOP because it is allowable for a P-frame to be predicted from more frames than just the one @@ -6793,11 +6786,18 @@ IDR-Frames restrict subsequent P-frames from referring to any frame prior to the IDR-Frame. . .TP -.B bframe=<value> -number of B-Frames between I- and P-Frames (default: 0) +.B frameref=<1\-15> +Number of previous frames used as predictors in a P frame (default: 1). +This is effective in Anime, but seems to make little difference in +live-action source material. +Some decoders are unable to deal with large frameref values. +. +.TP +.B bframes=<0\-16> +number of consecutive B-Frames between I- and P-Frames (default: 0) . .TP -.B deblock=<0|1> +.B deblock | nodeblock Use deblocking filter (default: on). As it takes very little time compared to its quality gain, it's not recommend to disable it. @@ -6824,10 +6824,10 @@ Beta parameter of deblocking filter (default: 0). Affects the maximum allowed gradient within two adjacent blocks. . .TP -.B cabac\ \ \ -Use CABAC (Context-Adaptive Binary Arithmetic Coding). -Slows down encoding but should save 10-15% of the bits. -Unless you are looking for speed, you should activate it. +.B cabac | nocabac +Use CABAC (Context-Adaptive Binary Arithmetic Coding) (default: on). +Slightly slows down encoding and decoding, but should save 10-15% bitrate. +Unless you are looking for speed, you should not disable it. . .TP .B cabacidc=<value> @@ -6847,7 +6847,7 @@ directly affect distortion. .REss . .TP -.B qp_constant=<2\-51> +.B qp_constant=<1\-51> This selects the quantizer to use. 20\-40 is a useful range (default: 26). Lower values result in better fidelity, but higher bitrates. @@ -6858,11 +6858,11 @@ is about a factor of 10. Useful quantizers in H.264 tend to be very large compared to MPEG[124]. . .TP -.B qp_min=<2\-51> (CBR only) +.B qp_min=<1\-51> (CBR or 2 pass) Minimum quantizer, 15\-35 seems to be a useful range (default: 10). . .TP -.B qp_max=<2\-51> (CBR only) +.B qp_max=<1\-51> (CBR or 2 pass) maximum quantizer (default: 51) . .TP @@ -6912,7 +6912,7 @@ Lower values allow the quantizer value to jump around more, higher values force it to vary more smoothly. . .TP -.B fullinter +.B fullinter | nofullinter Use all available interframe macroblock types (i16x16, i4x4, p16x16-4x4) The idea is to find the type and size that best describe a certain area of the picture, i.e.\& very effective for Anime, which usually contains @@ -6921,22 +6921,6 @@ Depending on the source material, it can improve or degrade quality, use it with care. . .TP -.B log=<-1\-3> -Adjust the amount of logging info printed to the screen. -.RSs --1: none -.br - 0: Print errors only. -.br - 1: warnings -.br - 2: PSNR, encoding times, and other analysis stats when the encode finishes -(default) -.br - 3: PSNR, QP, frametype, size, and other stats for every frame -.REss -. -.TP .B subq=<0\-5> Adjust subpel refinement quality. This parameter controls quality versus speed tradeoffs involved in the motion @@ -6957,8 +6941,24 @@ It can improve quality significantly. .REss . .TP -.B psnr\ \ \ -Print signal-to-noise ratio statistics. +.B log=<-1\-3> +Adjust the amount of logging info printed to the screen. +.RSs +-1: none +.br + 0: Print errors only. +.br + 1: warnings +.br + 2: PSNR, encoding times, and other analysis stats when the encode finishes +(default) +.br + 3: PSNR, QP, frametype, size, and other stats for every frame +.REss +. +.TP +.B psnr | nopsnr +Print signal-to-noise ratio statistics (default: off). . . .\" -------------------------------------------------------------------------- |